Thanks for reading. See you next year!
A young designer stopped by the studio the other day and as he sheepishly showed work he was doing ‘on the job,’ I flashed back to the last such ‘job’ I held in Baltimore.
I remembered a particular project (one I should have never been working on in the first place) that had degenerated into a situation where the client--some middle manager at Blue Cross Blue Shield of Maryland--was standing behind me making me move type around etc...I remember insisting that we put a sunset on there just for spite.
I snapped out of it and told this designer to quit immediately, and that he would figure out how to pay his bills some other way. This is advice that I would have found difficult to follow when I was in a similar situation--making a steady paycheck--as I had to be fired before I finally made the decision to start working for myself.
I always wished I’d quit that last job, which is probably why I’ve held onto this piece-of-shit for 15 years.
Here at Design Less Better, we have a strong preference for images with strong contours and high contrast, qualities one often finds in printmaking. Today we have some fine examples of this craft.
First up, we have a couple of prints from Stephen Alcorn's Modern Music Masters series.
